Alle Publikationen
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2014
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(2014): Art as behaviour – an ethological approach to visual and verbal art, music and architecture. In: Anthropologischer Anzeiger 71 (1), S. 3-13. DOI: 10.1127/0003-5548/2014/0371
Abstract: In recent years, the fine arts, architecture, music and literature have increasingly been examined from the vantage point of human ethology and evolutionary psychology. In 2011 the authors formed the research group 'Ethology of the Arts' concentrating on the evolution and biology of perception and behaviour. These novel approaches aim at a better understanding of the various facets represented by the arts by taking into focus possible phylogenetic adaptations, which have shaped the artistic capacities of our ancestors. Rather than culture specificity, which is stressed e.g. by cultural anthropology and numerous other disciplines, universal human tendencies to perceive, feel, think and behave are postulated. Artistic expressive behaviour is understood as an integral part of the human condition, whether expressed in ritual, visual, verbal or musical art. The Ethology of the Arts-group's research focuses on visual and verbal art, music and built environment/architecture and is designed to contribute to the incipient interdisciplinarity in the field of evolutionary art research.
Keywords: Aesthetics, architecture, built environment, Communication, culture specificity, Disziplin, Ethologie, Ethologie der Kunst, ethology of arts, Evolution, evolutionary musicology, human ethology, Kognitive Skills/Social Cognition, Kulturtheorie, Kunstgeschichte, lyrics, music, poetry, SEXUAL SELECTION, universal human tendencies, universals, urban ethology, visual arts, VOCAL EXPRESSION, Voraussetzungen für sozial angemessenes Verhalten, ZEBRA FINCHES 2006
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(2006): Decoding speech prosody in five languages. In: Semiotica (158). DOI: 10.1515/SEM.2006.017
Abstract: Twenty English-speaking listeners judged the emotive intent of utterances spoken by male and female speakers of English, German, Chinese, Japanese, and Tagalog. The verbal content of utterances was neutral but prosodic elements conveyed each of four emotions: joy, anger, sadness, and fear. Identification accuracy was above chance performance levels for all emotions in all languages. Across languages, sadness and anger were more accurately recognized than joy and fear. Listeners showed an in-group advantage for decoding emotional prosody, with highest recognition rates for English utterances and lowest recognition rates for Japanese and Chinese utterances. Acoustic properties of stimuli were correlated with the intended emotion expressed. Our results support the view that emotional prosody is decoded by a combination of universal and culture-specific cues.
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