Alle Publikationen
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2016
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(2016) : Physical and moral disgust in socially believable behaving systems in different cultures In: Esposito, Anna; Jain, Lakhmi C. (Hg.): Toward robotic socially believable behaving systems: Modeling emotions., Vol. I, 105: Cham: Springer International Publishing (Intelligent systems reference library; Vol 105; ISSN: 1868-4394 (Print), 1868-4408 (Electronic)), S. 105-132
DOI: https://doi.org/10.1007/978-3-319-31056-5_7 Abstract: The aim of the present study is to use the GRID, online emotions sorting and corpus methodologies to illuminate different types of disgust that an emotion-sensitive socially interacting robot would need to encode and decode in order to competently produce and recognise these and other types of physical, moral and aesthetic types of complex emotions in social settings. We argue that emotions in general, and different types of disgust as an instance of these, differ with respect to the amount of cognitivegrounding they need in order to arise and social robots will successfully use such emotions provided they do not only recognise and produce physical, bodily manifestations of emotions, but also have access to large knowledge bases and are able to process situational context clues. The different types of disgust are identified and compared cross-culturally to provide an evaluation of their relative salience. The study also underscores the conceptual viewpoint of emotions as clusters of emotions rather than solitary, individual representations. We argue that such clustering should be at the heart of emotions modelling in social robots. In order to successfully use the emotion of disgust in their interactions with humans, robots need to be sensitive to possible within-culture and cross-culture differences pertaining to such emotions, exemplified by British English and Polish in the present study. Given the centrality of values to the emotion of disgust, robots need to have the capacity to update from a knowledge base and learn from the situational context the set of values for each significant human that they interact with. (PsycINFO Database Record (c) 2019 APA, all rights reserved)
Keywords: Aesthetics, BEHAVIOR, British English, Cross Cultural Differences, Disgust, Disgust cluster, Emotion event (scenario), Emotions, GRID, Language, Language corpora, Moral & Ethik, Moral emotions, Morality, Online emotions sorting study, Polish, Robotics, Social robotic, social robots, Translation data, Wstret cluster 2014
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(2014): Art as behaviour – an ethological approach to visual and verbal art, music and architecture. In: Anthropologischer Anzeiger 71 (1), S. 3-13. DOI: 10.1127/0003-5548/2014/0371
Abstract: In recent years, the fine arts, architecture, music and literature have increasingly been examined from the vantage point of human ethology and evolutionary psychology. In 2011 the authors formed the research group 'Ethology of the Arts' concentrating on the evolution and biology of perception and behaviour. These novel approaches aim at a better understanding of the various facets represented by the arts by taking into focus possible phylogenetic adaptations, which have shaped the artistic capacities of our ancestors. Rather than culture specificity, which is stressed e.g. by cultural anthropology and numerous other disciplines, universal human tendencies to perceive, feel, think and behave are postulated. Artistic expressive behaviour is understood as an integral part of the human condition, whether expressed in ritual, visual, verbal or musical art. The Ethology of the Arts-group's research focuses on visual and verbal art, music and built environment/architecture and is designed to contribute to the incipient interdisciplinarity in the field of evolutionary art research.
Keywords: Aesthetics, architecture, built environment, Communication, culture specificity, Disziplin, Ethologie, Ethologie der Kunst, ethology of arts, Evolution, evolutionary musicology, human ethology, Kognitive Skills/Social Cognition, Kulturtheorie, Kunstgeschichte, lyrics, music, poetry, SEXUAL SELECTION, universal human tendencies, universals, urban ethology, visual arts, VOCAL EXPRESSION, Voraussetzungen für sozial angemessenes Verhalten, ZEBRA FINCHES 2010
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(2010): Geschlechtergerechte Formulierungen in Nachrichtentexten. In: Publizistik 55 (3), S. 289-304. DOI: 10.1007/s11616-010-0093-2
Abstract: Es wird vergleichend analysiert, wie gut generisch maskuline Personenbezeichnungen (z. B. die Studenten) und alternative geschlechtergerechte Formen (z. B. die Studentinnen und Studenten) für Nachrichtentexte geeignet sind. Dabei ist von Interesse, ob die Verwendung der jeweiligen Formen zu einem angemessenen gedanklichen Einbezug der am berichteten Ereignis beteiligten Frauen führt, ob der Text gut lesbar bleibt und ob das Publikum die Textästhetik positiv beurteilt. Die Befunde von zwei experimentellen Studien, an denen insgesamt 521 Personen teilnahmen, deuten darauf hin, dass der Einsatz bestimmter geschlechtergerechter Personenbezeichnungen (Paarformen (z. B. Astronautinnen und Astronauten) und genusneutrale Formulierungen (z. B. Badegäste)) im Vergleich zur Verwendung generisch maskuliner Formulierungen zu einer angemesseneren gedanklichen Berücksichtigung von Frauen beiträgt, ohne dabei die Lesbarkeit und sprachliche Ästhetik zu beeinträchtigen. Die Ergebnisse werden im Hinblick auf Möglichkeiten des Einsatzes geschlechtergerechter Sprache in Pressemedien diskutiert. zitiert von 12
Keywords: Aesthetics, Fairness, Language, Medien, News Media, Readability, Sexism, Social Cognition, Sprachwissenschaften 2009
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(2009): Looking forward to sociable robots. In: International Journal of Social Robotics 1 (3), S. 249-260. DOI: 10.1007/s12369-009-0021-7
DOI: https://doi.org/10.1007/s12369-009-0021-7 Abstract: This work examines humanoid social robots in Japan and the North America with a view to comparing and contrasting the projects cross culturally. In North America, I look at the work of Cynthia Breazeal at the Massachusetts Institute of Technology and her sociable robot project: Kismet. In Japan, at the Osaka University, I consider the project of Hiroshi Ishiguro: Repliée-Q2. I first distinguish between utilitarian and affective social robots. Then, drawing on published works of Breazeal and Ishiguro I examine the proposed vision of each project. Next, I examine specific characteristics (embodied and social intelligence, morphology and aesthetics, and moral equivalence) of Kismet and Repliee with a view to comparing the underlying concepts associated with each. These features are in turn connected to the societal preconditions of robots generally. Specifically, the role that history of robots, theology/spirituality, and popular culture plays in the reception and attitude toward robots is considered. (PsycINFO Database Record (c) 2016 APA, all rights reserved)
Keywords: Aesthetics, Cross Cultural Differences, embodied intelligence, humanoid sociable robots, Intelligence, Kulturforschung/ kulturelle Unterschiede, Künstliche Intelligenz, Mensch-Roboter-Interaktion, Mensch-Technik-Relation, moral equivalence, Morality, morphology, Robotics, Social intelligence, social interaction, Soziale Intelligenz
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