Alle Publikationen
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2016
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(2016): Smell in Polish. Lexical Semantics and Cultural Values. In: JOURNAL OF SLAVIC LINGUISTICS 24 (2), S. 273-299
Abstract: Verbs of perception have been typically classified into three semantic groups. Gisborne (2010) calls the three categories agentive (listen class), experiencer (hear class), and percept (sound class). Examples pertaining to the sense of smell in English use the same lexical item (smell), while in Polish, the three senses of smell are expressed with different verbs: wąchać (agentive), czuć zapach (experiencer), and pachnieć (percept). In metaphorical extensions of the verbs of sensory perception these verbs often stand for mental states, as meaning shifts typically involve the transfer from concrete to abstract domains. I show that the metaphorical extensions of pachnieć and percept to smell are quite different. Not only does pachnieć not suggest bad character or dislikeable characteristics, it actually conveys the opposite, as in the expression coś komuś pachnie ‘something is attractive to someone’ or when used without a modifier. These differences stem from the positive meaning of pachnieć and the negative meaning of to smell. Since the percept verbs of smell seem to be intrinsically positively or negatively valued, they do not lend themselves to universal Mind-as-Body extensions. I also consider some of the dramatic frequency contrasts between Polish and English smell constructions and show they can have their root in different cultural scripts underlying modes of speaking (pachnieć jak vs. smell like), framing of experiences (czuć zapach vs. experiencer to smell), polysemy, and different constructional capabilities (wąchać vs. to sniff).
Keywords: Agent, Agentive, Biologische Marker, Disziplin, Erlebender, Experiencer, frame semantics, Geräuschhören, Gisborne, Hear, Hören, Kultur, Kulturdifferenz, Kulturspezifizität, Kulturtheorie, Kulturvergleich, Linguistik, Listen, Percept, Perzept, Riechen, schnüffeln, Semantik, Semantische Gruppen, Smell, Smell like, Sniff, sound, Sprachgebrauch, Sprachverstehen, Status, Verben, Wahrnehmung, Wahrnehmung und Sprache, Wahrnehmungsverben, Zuhören 2007
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(2007) : Non-facial/non-verbal methods of affective expression as applied to robot-assisted victim assessment: 2007 2nd ACM/IEEE International Conference on Human-Robot Interaction (HRI): New York, NY, US: Association for Computing Machinery, S. 287-294
DOI: https://doi.org/10.1145/1228716.1228755 Abstract: This work applies a previously developed set of heuristics for determining when to use non-facial/non-verbal methods of affective expression to the domain of a robot being used for victim assessment in the aftermath of a disaster. Robot-assisted victim assessment places a robot approximately three meters or less from a victim, and the path of the robot traverses three proximity zones (intimate (contact - 0.46 m), personal (0.46 - 1.22 m), and social (1.22 - 3.66 m)). Robot- and victim-eye views of an Inuktun robot were collected as it followed a path around the victim. The path was derived from observations of a prior robot-assisted medical reachback study. The victim’s-eye views of the robot from seven points of interest on the path illustrate the appropriateness of each of the five primary non-facial/non-verbal methods of affective expression: (body movement, posture, orientation, illuminated color, and sound), offering support for the heuristics as a design aid. In addition to supporting the heuristics, the investigation identified three open research questions on acceptable motions and impact of the surroundings on robot affect.
Keywords: Abstracts, Affective computing, affective expression, Angemessen(heit) (von Technik), Body Movement, body orientation, body posture, design aid, design aids, disaster, disasters, emergency services, human-robot interaction, ieee xplore, illuminated color, Inuktun robot, nonfacial nonverbal method, Non-verbal Communication, Proxemics, robot-assisted medical reachback study, robot-assisted victim assessment, Robotic Design Guidelines, service robot, sound, victim-eye views
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